Now that HBOs new show “The Night Of" is over we can try to
figure what it was all about. This post will contain multiple spoilers, so if
you haven’t seen the show and do not want to know, cease reading this post…
immediately.
The show was written by Richard Price, one of our great
novelists and one of our great screenwriters. Admittedly, critics have been
drooling over this show, but they are wrong to do so. The show fails and it
fails for reasons that seem to have escaped most of the critics. Price befouled
his talent by making the story into a propaganda vehicle.
Ultimately, we see a nice Muslim boy corrupted by America
and the American injustice system. The show is about only one thing: American
Islamophobia. It says that Islamophobia turns nice Muslims-- they are all nice-- into criminals and terrorists.
It’s not a mediocre failure. It’s a great failure, because
much of the writing and the acting is excellent. Actors like John Turturro and
Michael K. Williams do yeoman work. Yet, the central character, Nazir Khan,
played by Riz Ahmad is not a good enough actor to carry a show. His performance
is flat and uninteresting. But he is a Muslim so he will probably be nominated for
all manner of awards.
In the show a nice Muslim boy named Nazir gets picked up by
an American vamp and cannot resist her corrupting charms. He follows her back to her
lavish apartment, engages in a brutally violent form of foreplay, takes drugs, drinks alcohol, has sex with her, passes out and awakes to find her dead,
butchered. In other words, he does all the things that his religion forbids him to do... and get himself into trouble.
The message to Muslims is: do not assimilate into a corrupting Western culture.
Naz does not know whether he killed her but he runs out of
the place, into the arms of New York’s finest. While awaiting his arraignment
he runs across a down-and-out criminal defense attorney, played by John
Turturro. He ends up in Riker’s Island where he becomes the protégé of a
violent black criminal named Freddy.
Naz seems to be the only non-black
criminal who is adopted by Freddy… curious and implausible point that the
screenwriter tries to cover by having Freddy say that he sees Naz as an
innocent unicorn. It’s an easy out, but it does not work. Surely, it does not
work to rationalize the implausibility of one of the most important relationships in
the show.
In the end Naz is put on trial, but his case is dismissed
after the jury cannot reach a verdict. By the time the jury comes back from its
deliberations the detective in charge, Det. Box, has uncovered evidence that
point to the real killer and Naz is freed. Yet, Nasir has by now been
transformed into a drug addicted criminal himself and we are led to expect that
this is not going to end well.
If we were dealing with a criminal investigation show would fail miserably. Detective Box is not Lt. Columbo. And John
Stone is not Perry Mason.
Box does not bother to investigate anything about the murder
until the trial is well underway. This is supposed to be meaningful, a sign of
incompetence and prejudice, but seeing detectives overlook obvious evidence…
like surveillance photos… tells us that we are not supposed to admire their work.
One notes also, because the show seems to ignore it, that
the murder scene is especially bloody and that when Naz awakes from his stupor
at the victim’s house he has no blood splatter on him at all. He could have
figured out and a decent detective could have figured out that he could not
have committed a crime that looks like a bloodbath.The show takes every opportunity to show us Andrea Cornish's butchered naked body.
But, like I say, the show is not about criminal procedure. It's about prejudice against a Muslim defendant.
As for the trial the lawyers do not inspire confidence. With the exception of Chandra Kapoor, they are decidedly unattractive,.Turturro's John Stone is siply disgusting. Turturro’s eczema, at first
covering his feet but later, after having been cured, returning to cover his
body, adds very little if anything to the story. It gives the actor a chance to
flash his feet at the audience, gesture we know to be a supreme insult in
Islam.
Naz’s defense attorney, Chandra Kapoor, is presented as a
bright young Indian woman, but also as someone who was easily corrupted. Not only did
she manage to French kiss her client while being filmed by a surveillance
camera—point which she had to know—but she allowed herself to be corrupted to
the point of smuggling drugs to her client in her… vagina. She is not the only
character in the show to do so. Price seems to find the point fascinating. I
find it gratuitous.
Anyone who was paying attention should have been able to see
what the show was about and why it went so completely off the rails. The show
was about an innocent young Muslim man, a man of impeccable morals who gets
seduced by a Western temptress and becomes corrupted by the American criminal injustice system, especially as they manifest America’s Islamophobia.
The show tells us that America, and especially American
injustice and incompetence, produces Islamist terrorists. Because, we are
supposed to believe, Muslims would never do such heinous actions of their own
volition or by following the precepts laid down in their religion.
The show is fundamentally an indictment of America. It
continually drops references to American Islamophobia and even to the wave of
anti-Muslim violence that followed the 9/11 attacks. We are told that Naz had a
bad moment in school after the 9/11 attacks—he threw another boy down the
stairs-- but we are led to believe that his was righteous anger. His is the righteous
anger of those who are unjustly persecuted.
Most people know full well that the nation was not
overwhelmed by attacks against Muslims after 9/11. Most sensible people were
more surprised by what did not happen. Yet, Price seems to be hell bent on
indicting America for Islamist terrorism, so he is willing to exaggerate the
facts… for the purpose of his propaganda.
Since Nasir spends much of the show in prison, one must note
that it’s denizens are not as Islamphobic as the police and the criminal
justice system. And yet, their influence is also corrupting, not in the sense
that they are going to make Naz into a terrorist—the show is not quite that
obvious—but they do make him into a drug addict, potential drug dealer and
general all-around violent criminal.
We are told that he just does what he has to do to survive…again
exculpating him for his actions.
Some critics have said that the show humanizes Muslims. It
is true that Nasir, his parents, his brother and family friends and associates
are basically the only good people in the show. The problem is: Naz is
humanized at the expense of every other American.
These latter are consistently defamed and dehumanized. They are so Islamphobic
that they do not even bother to investigate the crime. They fail at the most
obvious criminal procedures. And they are completely inept in the courtroom.
In the end it turns out that the real murderer is a
financial advisor, Ray Halle. He was stealing money from Andrea Cornish and
they had argued about it.
As you know, it’s always the Wall Street banker types, the
preppy white guys who commit the most heinous crimes. Like a good leftist propagandist Price wants to blame it all on... you know who.
And yet, even here the story falls flat. Even if Ray snuck
into the house when Naz was comatose and murdered Andrea, since when do
financial advisers engage in the kind of overkill that suggest a rage killing,
not a business transaction?
How did Richard Price make such egregious mistakes? Simple:
he no longer wanted to tell a story, but wanted to make a political and
cultural point. He turned his art into propaganda. Those who liked the
viewpoint liked the show. Those who do not watch these shows to be preached at or guilt tripped did not. As a work of art,the show fails miserably.